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The Belle of Amherst: Double Vision

by William Luce

The Belle of Amherst: Double Vision

Playing Time: 80 minutes | Playing Space: 4×4 meters, 12×12 feet | Genre: Biographical drama and dance/drama

 
The Belle of Amherst is a witty, entertaining and profoundly moving drama on the inspired life of poet, Emily Dickinson. The self-proclaimed anchorite of poetry, Emily Dickinson, dressed always in vestal white, often received guests as a disembodied voice behind a screen at the top of the stairs and only once in twenty-five years was she seen outside her father’s house. Still, through both friendships and correspondence, she negotiated passage through the most prestigious international literary groupings of her day. Brilliant and witty, the miniature woman transfixed the conventional literary critics of her time in ‘shock’ n’awe’ with her plethora of irregular poetic devices. But, today, a growing international literary audience designates her as a stunningly innovative 19th-century poet whose own words are the most telling; “Why did they shut me out of heaven? Did I sing too loud?”

Kathleen offers viewers a unique and evocative encounter with the mysterious, ever elusive American poet, whose personality remains as enigmatic as her poetry remains infamous. The growing interest in this eccentric poet is evidenced by the new biographies and international translations of her poems. This interest inspired Belleherst to produce a duo performance of Luce’s play which contrasts Emily’s culturally shackled 19th- century life style with her passionate and bold inner spirit. In alternating performances; one drama, one dance, the contrasting perspectives provide richly layered understanding of the poet. In the danced version of Luce’s play Kathleen Ann Thompson weds Luce’s dramatic text to movement and music depicting Dickinson’s life as a kinetic and visual poem. The proto-surrealist quality of images in Dickinson’s poetry lends a power of surprise and suggestion to Thompson’s dance pictures.
 

“The Belle of Amherst: Double Vision” homepage

 

Darran Laine, Fringe Reviews

…Thompson is so exacting and studied in her physical portrayal of Dickinson… using a wide palette of gestures to paint her picture of Dickinson’s personality, that no text is wasted and seems always to serve the physical presence on stage… this physicality is set free and leads the spoken text to ever greater heights of expression.

Three Weeks – rating, five stars

The actress Kathleen Ann Thompson is captivating and her attention to each and every minor detail is amazing; she donates her breath to Emily. The visible talent is bound with passion…

Ruth Christie.The Skinny Independent Journalism

…Thompson… is riveting as she touches upon the most emotionally charged moments in Dickinson’s life. Thompson’s Dickinson is coquettish, wild, fun… it is as if Dickinson’s innermost thoughts are exposed… what we see is freedom of expression – both Thompson’s and Dickinson’s. The wonderful words of this poetry are brought to light before us.

La Jolla Museum for Contemporary Art – Connie O’Neal – Ass. Curator

Your performance of The Belle of Amherst was a wonderful contribution to the success of our program… The audience was completely enthralled with your performance.

San Diego Uniion – Welton Jones 1983

…An actress capable of becoming Emily Dickinson for two hours must not be overlooked.

Patricia Beal, Fringe Reviews

Kathleen Thompson is a truly extraordinary performer. Her work in physical theatre, her gifted choreography, her mesmerizing acting, her ability to communicate to mind, soul and spirit is notable. Kathleen is a rare visionary, an ardent communicator, an experienced professional, a woman who knows what’s of value and embraces it.

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2014 © Belleherst Production

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